Good characters are a lot like broken shells. If their situation is perfect and/or they have no flaws, they’ve got no reason to grow or change. Then we, as readers, have no great incentive to read their stories. We probably won’t even be able to connect to them because, face it, nobody’s perfect. Broken characters, by contrast, strike a chord deep in readers’ hearts. They give us hope that we too can overcome whatever challenges we face despite, or maybe even because of, our flaws.
This is even true of picture books. Would the classic Curious George books be such kid-hits if that little monkey weren’t so incorrigibly nosy? More recently, would David Shannon’s NO, DAVID, NO! touch the hearts of mothers and sons as deeply, if little David weren’t so perpetually in trouble? And what about Peggy Parish’s forever bumbling Amelia Bedelia, or Bernard Waber’s lovable Lyle, the crocodile, whose sickly green jealousy in LYLE AND THE BIRTHDAY PARTY touches a chord in every kid’s heart. The list of inspiringly imperfect and thus lovable picture book characters goes on and on.
My collection of broken shells now sits in a bowl by my desk, a striking reminder that the best characters we create, the ones that survive in our collective memories, are those that aren’t perfect. Thus, as a writer, I aspire to imperfection in my characters. What about you?
By Laura Sassi